SECOND MAIN IMAGE BLOG ORPHANS POSTCARDS PACKAGING -6Limited edition handmade packs of 16 postcards featuring figures extracted from Royal Borough of Kensington and Chelsea archive council survey photographs – Circa 1970. Figures originally installed at epic size underneath the Westway Flyover, Portobello Road, London, W11 in 2014.

Product Details Copyright Steve Mepsted (Standard Copyright License)

Edition: 50

Cards: 16 x 350gsm Silk Artboard. A6 Size.

Print: Black and White.

Packaging: Black card envelope in matte finish, string and washer closure.

FRONT: Artist-designed title card, handwritten signature, date and edition number in white ink.

BACK: Pull out introductory text sheet featuring group image of individual figures on back and text on front. Mounted with black photo corners.

Weight: 100g

Overall Dimensions: Length 16cm / Width 11cm / Depth 1cm

Price: Each pack is priced at £15.00 including first class packaging and postage. Carefully packaged in a protective acid-free clear bag and posted in a bubble envelope. Editions 4-50 available now.

To read more about the “Orphans’ Installation see HERE For enquiries please contact me using the form below.

The Westway Motorway (A40M) was built to run 3.5 miles between Paddington Green and White City. Building works began in 1964 and the Motorway was opened in July 1970. The building of the motorway cut a swathe through much of the housing, businesses and streets in the North Kensington area and caused national controversy for the effects it had upon the local community and the environment. As the empty ‘non-spaces’ underneath the elevated surface of the road were considered by local people and agencies The Westway began to exist as a lively, contentious, potential network of narratives. Led by local documentary photographer Steve Mepsted and in Partnership with Westway Trust, and Acklam Village Market, ‘Orphans’ is the latest attempt to form an understanding of this richly poetic space. Using archive council photographs taken between 1969 and 1971 (just at the time the motorway was being built and opening) ‘Orphans’ presents old men, young women, local kids, market traders, shoppers on Portobello Road and children playing on makeshift adventure playground structures. These individuals are presented at epic scale; freed from their original pictorial context they roam the walls underneath the motorway as if returning through history and re-materialising under the very structure that cut through their lives and homes 45 years earlier.


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